“All Is Fine In ’89” Captures the Enduring Essence of the 80’s Brat Pack Era A soon-to-be classic that will resonate with generations to come.

A soon-to-be classic that will resonate with generations to come.

All is Fine in ’89 is a feature-length coming-of-age drama helmed by Canadian filmmakers, brothers Matthew and Adam Lupis. The film draws inspiration from the Brat Pack films of the 1980s and aims to engage audiences with its nostalgic depiction of a significant historical period. The film promises to deliver both nostalgia and relevance. It’s not just a trip down memory lane – it’s a poignant reflection on the universal experience of leaving the safety of youth and facing an uncertain future.

Matthew Lupis, born in the very year the film celebrates, brings an authentic voice to the film, having grown up in the vibrant suburbs of Toronto with a burning passion for storytelling. “As a storyteller, I’ve always been fascinated by moments in history that define generations,” explains Matthew, writer and director of the film. “This film captures a time when America was on the brink of change and we wanted to explore how that impacted the lives of our characters at Romano High.”

The film’s premise is utterly compelling – set against the backdrop of the day of the Berlin Wall’s fall. It chronicles the intertwining lives of four students and two teachers at Romano High during a momentous time. This isn’t just another teen drama; it’s a snapshot of a generation on the cusp of monumental change. The film focuses on the transition of America from the extravagant 1980s of the post-Reagan era to the uncertain Bush-led post-Cold War 1990s. The narrative unfolds during the final field party of the decade, where relationships are tested, allegiances are challenged and lives are irrevocably altered.

Drawing parallels to John Hughes’ classics such as The Breakfast Club and Sixteen Candles, as well as enduring favorites like Fast Times at Ridgemont High and Dazed and Confused, the film portrays a group of students departing from the security of their high school environment to confront the uncertainties of the real world. It reminds us that while leaving the comfort of youth can be daunting, it’s also the beginning of an incredible adventure.

“Bringing All is Fine in ’89 to life has been an incredibly rewarding journey,” notes Adam, who co-produced the film and plays one of the leads. From an early age, Adam had a passion for acting, which he pursued through studies at Armstrong Acting Studios and Second City Toronto. “It’s more than just a film about a specific year—it’s about the universal experience of navigating adolescence amid societal shifts. I’m proud to have been a part of this project that resonates so deeply with our shared nostalgia and growth.”

All is Fine in ’89 is timely and rides the wave of 80s nostalgia that’s captivating audiences right now. The release of All is Fine in ’89 coincides with the recent surge of interest surrounding the documentary Brats (Hulu), which examines the Brat Pack era. The resurgence of interest in personalities such as Andrew McCarthy, Molly Ringwald, Emilio Estevez, Ally Sheedy, Demi Moore, Judd Nelson, Antony Michael Hall and Rob Lowe has reignited nostalgia for the 1980s, providing an opportune moment for reflection on the cinematic spirit of that era. It’s your chance to relive the magic of that iconic period through fresh eyes.

The cast of All is Fine in ’89 comprises emerging talents reminiscent of the iconic Brat Pack, rekindling the fire of nostalgia and the excitement of new beginnings. With a cast of rising stars who shine as brightly as their 1980s predecessors, each contributing their distinctive style to the production. The ensemble includes Adam Lupis (The Dessert), Shelby Handley (Cheat), Dani Romero (Eli Roth Presents: A Ghost Ruined My Life), Tom Keat (Fear Street: Prom Queen), Damien Gulde and Dylan Hawco (Crocus).

All is Fine in ’89 offers a unique blend of historical significance, coming-of-age drama and the irresistible charm of 80s culture. The film is poised to become a classic in its own right and a beacon of inspiration for a new generation. All is Fine in ’89‘ exploration of social issues is relevant to both the 80s and today and adds layers of meaning that resonate with contemporary audiences. It’s an opportunity to not just watch history, but to feel it, to live it and to see yourself in it as it reflects your own experiences, fears and triumphs.

Los Angeles, California,

Writer/Editor-In-Chief: Jamee Beth Livingston

Publicist: Rick Krusty, MWPR Inc.